START POINT PRIZE – Prize for emerging artists
- Johannes felder / don juan campos (DEU)
- Iulian Bisericaru (ROM)
- Noam darom (ISR)
- Fen de Villiers (BEL)
- Jon Derganc (SVN)
- KATARZYNA DITRICH – PATURALSKA (POL)
- Slavomír Ďurkaj (SVK)
- David Michel fayek (ITA)
- Petra Hermanová (CZE)
- ISTVÁN MARIÁS AKA HORROR PISTA (HUN)
- Ján Kekeli (SVK)
- Dimitra Kondylatou (GRC)
- Aleksi Linnamaa (FIN)
- Andrei Mateescu (ROU)
- JOOST MELLINK (NLD)
- Christoph Franz, Michael Meier (DEU, AUT)
- Jorge Moneo Quintana (ESP)
- Anja Münch (DEU)
- Artur Niestroj (DEU)
- Cecilia Nygren (SWE)
- Noële Ody (AUT)
- Benjamin Orlow (GBR)
- Frank Merkx, Robert Goywaerts (BEL)
- Teodora Rogoz (ROM)
- Matti Schulz (DEU)
- Camilla Skibrek (NOR)
- Pavel Sterec (CZE)
- Kateřina Sudolská (CZE)
- Ismael Teira (ESP)
- Britta Thie (DEU)
- christopher tym (GBR)
- Katinka van Gorkum (NLD)
- Ondrej Vozárik (SVK)
- Stefanie Walk (DEU)
- thomas yeomans (GBR)
- Paweł Zawadski (POL)
- Aline Zeltner (CHE)
Fen deVilliers
The work takes the form of a sculptural environment as well as a performance piece, which took place in it. The gallery space was transformed into an imaginary office with several tables with a number of indefinite objects with no apparent function lying on them. Everything is shiny white here, impersonal and rectangular. Several actors – very similar to each other, dressed in uniforms of white shirts and black pants and shoes – perform step-bystep a few exact and mechanized office tasks. They do not show any emotions and do not communicate with each other, as if they were mere machines that execute a task and then they leave. A white disc on the wall – the only non- rectangular object – dominates the scene. It could be a visible symbol of power, derived from the world of the leftist avantgarde, to which the artist refers in all his work, and of a similar nature to Malevich’s black square or black disc – an attribute of the Czech Devětsil. Due to its location on the wall it also resembles a clock without numbers and without hands, again, a symbolic reference to the ideal sense of the absence of time of eternal happiness from some kind of Kafkaesque dystopia. (Marcel Fišer)
1989 born in United Kingdom. Education: 2007 – 2008, Glasgow School of Art; 2008 - 2012 Koninklijke Academie voor Schone Kunsten, Antwerp, Sculpture Department. Awards: 2007 Leverhulme Scholarship for studies in Art; 2009 De grote STARTprijs – 1st prize; 2010 Noesen Metal competition – Selected and awarded 2nd prize.
- First Case Scenario, 2012, Exhibition and Performance (together with Florian Tomball), performed at the Royal Academy of Fine Arts in Antwerp in January 30 to February 2, 2012
- First Case Scenario, 2012, Exhibition and Performance (together with Florian Tomball), performed at the Royal Academy of Fine Arts in Antwerp in January 30 to February 2, 2012
- First Case Scenario, 2012, Exhibition and Performance (together with Florian Tomball), performed at the Royal Academy of Fine Arts in Antwerp in January 30 to February 2, 2012
- First Case Scenario, 2012, Exhibition and Performance (together with Florian Tomball), performed at the Royal Academy of Fine Arts in Antwerp in January 30 to February 2, 2012