START POINT PRIZE – Prize for emerging artists
- Johannes felder / don juan campos (DEU)
- Iulian Bisericaru (ROM)
- Noam darom (ISR)
- Fen de Villiers (BEL)
- Jon Derganc (SVN)
- KATARZYNA DITRICH – PATURALSKA (POL)
- Slavomír Ďurkaj (SVK)
- David Michel fayek (ITA)
- Petra Hermanová (CZE)
- ISTVÁN MARIÁS AKA HORROR PISTA (HUN)
- Ján Kekeli (SVK)
- Dimitra Kondylatou (GRC)
- Aleksi Linnamaa (FIN)
- Andrei Mateescu (ROU)
- JOOST MELLINK (NLD)
- Christoph Franz, Michael Meier (DEU, AUT)
- Jorge Moneo Quintana (ESP)
- Anja Münch (DEU)
- Artur Niestroj (DEU)
- Cecilia Nygren (SWE)
- Noële Ody (AUT)
- Benjamin Orlow (GBR)
- Frank Merkx, Robert Goywaerts (BEL)
- Teodora Rogoz (ROM)
- Matti Schulz (DEU)
- Camilla Skibrek (NOR)
- Pavel Sterec (CZE)
- Kateřina Sudolská (CZE)
- Ismael Teira (ESP)
- Britta Thie (DEU)
- christopher tym (GBR)
- Katinka van Gorkum (NLD)
- Ondrej Vozárik (SVK)
- Stefanie Walk (DEU)
- thomas yeomans (GBR)
- Paweł Zawadski (POL)
- Aline Zeltner (CHE)
Petra Hermanová
Petra Hermanová’s short film evokes strong emotions and unease. Pictures that were manipulated in the postproduction process appear in rotation with images that seem to have been “alienated” from personal archives. The voice of a foreigner, an “alien”, struggling with the correct phonetics of ch lacks the semantic stress that could help decrypt the message. The content is urgent, but also empty. An obsession with voyeurism oversaturates one’s memory with the memories of others, alien memories. There was something we wanted, but at the same time we didn’t want it, and now we’re unable and unwilling to get rid of it; likewise, it would be impossible to spend a long time trying to get a scene out of your head while also not being able to clearly recall it. Perhaps this way, but maybe also another way. (Ondřej Chrobák)